Online Poems from Take Me With You, Wherever You’re Going
The Normal School, “In the Grove of Self-Charging Trees” (with an interview)
The Shallow Ends, “In the First Fall of Our Marriage”
About Place Journal, “Because You Waited for Me to Fly Your First Kite”
Academy of American Poets Poem-a-Day, “Stridulation Sonnet” (and translated into Italian)
The Collagist, “And That’s How I Almost Died of Foolishness in Beautiful Florida,”
“Out of the Windfields”
The Adroit Journal, “Sex, Suddenly, Everywhere”
THRUSH, “13th Birthday and Something Said to Wake Early”
Brain Mill Press, “There Ain’t Nothing Like Breck for Stop n’ Stare Hair”
One, “Between the Shoreline and the Sea”
Online Poems from Pelvis with Distance
Truck, “In the Canyon (Fear/Breaking).” (first published in Cave Wall)
Flyway: Journal of Writing & Environment, “Coney Island, 1917” and “Lake George, 1922”
The Missouri Review, “The White Place in Shadow,” a Poem of the Week
Iron Horse Literary Review, “July 13, 1946,” (featured on Verse Daily)
Verse Daily, “In the Patio IV: Black Door” (first published in Cave Wall)
Common-place, journal of the American Antiquarian Society, “To Find You” Series I-V
Miscellaneous Online Publications
Thomas Merton Prize in Poetry of the Sacred (Honorable Mention), “How to Pray”
New England Review, “Prayer should be a tunnel”
Thomas Merton Prize in Poetry of the Sacred (Honorable Mention), “Sleepwalkers in the Garden”
Milk Journal, “The Great Legerdemain”
Two Peach, “Taking a Turn at the Wreck-a-Wreck”
Beloit Poetry Journal, “Manhattan Bridge Bikeway: Up”
Cell Poems, “Persephone in Summer”
Additional Journal Publications
Orion, “Learning to Run Barefoot in the Riverbed at Dawn,” Forthcoming 2018
Bennington Review, “In the Days Between Detection and Diagnosis,” Forthcoming 2018
Crazyhorse, “Thanks, stupid heart,” Forthcoming 2018
Copper Nickel, “Kina Hora,” Forthcoming 2018
Pilgrimage, “What I didn’t say those years you thought I’d forgotten you,” Forthcoming 2018
The Normal School, “In a Grove of Self-Charging Trees,” Forthcoming 2018
Alaska Quarterly Review, “Why Give an Excuse for Skinny Dipping When You Can Tell an Origin Story Instead?” and “Leaving Home,” November 2017
Greensboro Review, “Lonesome Remedy” October 2017
THRUSH, “Postcards, After the Fall,” November 2017
32 Poems, “On Our Nightly Walks, She Takes My Hand,” July 2017
The Adroit Journal, “Sex, Suddenly, Everywhere,” May 2017
Asheville Poetry Review, “In a Thicket of Body-Bent Grass,” March 2017
Heartland Review, “If Marriage Means Someone Who Will Always Come Looking: A Fable,” November 2016
Michigan Quarterly Review: “In New York, I Remember Greece So as Not to Remember Her,” November 2016
The Missouri Review: “When Your Surgeon Brought Snapshots to the Waiting Room;” “Though We Made Love in the Afternoons;” from the sequence “In the Days Between Detection and Diagnosis,” the section that begins “I write of my love for her and never;” and “When My Job is to Wait,” October 2016
Washington Square Review, “Post-Op, Still Out of It, You Said, I Would,” October 2016
Cave Wall, “The Grey Hills,” “Road to Pedernal,” “In the Patio IV (Black Door),” “In the Canyon II (Fear/Breaking),” and “In the Canyon V (Memory),” September 2016
New Madrid, “Central Park Map,” March 2016
PANK, “Submission Guidelines,” March 2015
Redivider, “May 6, 1986,” March 2015
Measure: A Review of Formal Poetry, “Denning” and “(Atonement x Completeness x Heaven)2 = May 21, 2011,” March 2015
Sou’wester, “Georgia O’Keeffe (Half Naked, in White)”; “Alfred Faces the Camera, Georgia Turns Away;” and “Like an Early Blue Abstraction,” February 2015
Poet Lore, “Early Abstraction,” September 2014
Beloit Poetry Journal, “The Shelton with Sunspots,” August 2014
Cutbank,“Music—Pink and Blue II,” “Alfred Stieglitz (Self-Portrait in Absentia),” “Composite [Self-] Portrait as Wise Desert Elder,” and “Georgia O’Keeffe, by Alfred Stieglitz (Composite Portrait),” August 2014
Poetic Research column of American Antiquarian Society’s Common-Place, “To Find You” Series I-V, May 2014
Iron Horse Literary Review, “Plate 28—Clothed in Only a Swim Cap,” “Pelvis with Distance,” “July 13, 1946,” February 2014
So to Speak: A Feminist Journal of Language and Art, “A Black-Bird with Snow-Covered Red Hills” and “From the Faraway, Nearby,” January 2014
poemmemoirstory, “Black Abstraction,” January 2014
Connotation Press: An Online Artifact, “Red Barn in Wheatfield,” “Untitled (Dead Rabbit with Copper Pot),” and “No. 8—Special (Palo Duro Canyon with Spiral),” January 2014
Calyx, “Tapering,” Summer 2013
The Journal, “Nudes Series VIII,” July 2013
Rattle, “Primer,” Summer 2012
Beloit Poetry Journal, “Manhattan Bridge Bikeway, Up,” Summer 2012
The Los Angeles Review, “Ten Country Miles, With Song,” February 2012
The Lumberyard, “Grandmother Ornithology,” Summer 2011
Swink, “After Office Dwelling,” February 2011
Slice, “Corner of Vanderbilt and Park,” Spring/Summer 2010
Reactions (UK), “Carpenter’s Call to Dali’s Girl with Curls,” “This is Why,” “Hesitation,” Summer 2001
Anthology Publications
Figlie Pericolose / Dangerous Daughters (in Italian, poems translated by Cristiana Pagliarusco), a selection of poems TBD from Pelvis with Distance, Forthcoming
The Orison Anthology, Vol. II (Orison Press), from the sequence “In the Days Between Detection and Diagnosis,” the section that begins “I write of my love for her and never;” and “When My Job is to Wait,” Forthcoming
Queer Nature, “Primer,” Forthcoming
Southern Ecology Anthology (Yellow Flag Press), “Primer,” Forthcoming 2019
Poem-a-Day, Academy of American Poets, “Stridulation Sonnet,” July 2015
Verse Daily, “July 13, 1946,” December 2014; “In the Patio IV (Black Door),” March 2017
The Burden of Light: Poems on Illness and Loss, edited by Tanya Chernov (Fast Foreword Press), “A Black-Bird with Snow-Covered Red Hills” and “Sky Above Clouds VI,” March 2014
Overplay/Underdone: An Anthology of Poems in the Third Dimension (Medusa’s Laugh Press), “Composing Ourselves,” Winter 2013
Publications Elsewhere
Broadsided Press, “Lake George, 1922,” July 2015
Words on the Go with Greater Lafayette CityBus, Lafayette, IN, “Perspective,” August 2011
